blog.NewTangled.com

I am becoming increasingly interested in Graffiti and street art. The free-form wanderings, automatic doodling and dada-ism appeal.

Multi-zoomorph Keith Haring Tribute

Here is a negative of a sketch I produced during my holiday in Greece. I started out aiming to create a Multi-Zoomorph knot from a surfing manoeuvre sequence. I saw a set of pictures of Kelly Slater riding his ‘Wizard Sleeve’ self shaped surfboard.

Incidentally he named this board because of it’s looseness (someone’s been watching Borat!)

As the picture evolved I worked over the rider outlines, in the back of my mind this was suggesting the style of Keith Haring.

Haring was a trained artist and was caught up in the Graffiti turf wars in the Bronx, late 70’s. He started painting his distinctive figures on blank advertising hoardings in the subway. Sometimes his design would be a couple of low key figures, other times the work would fill the available space. He wanted to reflect the bustle of city life, dance, African art and the language of the street. Word.

I recently won a couple of commissions to design tattoo’s. One was pure Celtic waves based on my art, the other, a design of a Zombie surfer pin-up in the Style of Jim Philips! I couldn’t make it up eh? Probably the most fun brief I’ve ever been given.

Anyway, as a treat, and to try and break some artists block, I bought some cans of spray paint to play about in this medium. There’s only one way to go… Jump on in! Here’s my first attempt at a free hand knot in spray paint (on MDF).

Spray can Celtic Wave

Dabbling in this really makes me appreciate the skill it takes to produce a fluent crisp peice of work such as this (photograpphed on my recent trip to Athens):

Athens Graffiti

I suspected it took some practice… expect to see a few more of these in coming blogs!

More commissions are always welcome and any art you see on this site is available for sale, drop me a line!

Links:
haring.com Keith Haring Foundation Official Website

monstercolours.com Monster Colours Spray Can Vendor Website

I’ve just returned to North Devon after a superb trip to Greece.  10 days of great food, sunshine and adventure.  Of course there was no surf.  

I have a one track mind, despite the chances of surf being small I had made contact with the only surf school in Greece to establish I could hire a board if needs had been.  I had researched the spots and prepped Zoe that I might disappear on a mission.  I had found a waveheight model and wind forecast.  None of this was necessary because it was of course flat.

Street Art Tourist

The obsessive mind never stops.  Among the rich sensory experience of travel I was still spotting artworks with waves, photographing microbarrels and fantasizing about what the lush coastline could do given the right swell.

 

Micro Barrel, Kathisma Beach

I love Greece, it is a beautiful nation.  The people are friendly and open, the street art that spills out onto every surface is pocketed with real Gems.

 

Spot the wave ...

 

 

Athens Mural Dolphin

Aparrently Appollo turned up at the oracle at Delphi as a Dolphin, as you do.  This is where the name of the site originates and probably not why the artist chose to paint a robo-dolphin.  Tis still pretty cool!

 

Fish farm mural

 I liked the variety of neatness, and finishness of the art.  This mermaid is quite crude, but it gives colour to the metalwork it’s dawbed on.  

It’s also striking the mixture of Murals, Throw-ups, Tags, Pieces, Stencils… and messages from Political to Sport to Philosphical… “Feel Free Like us” for example.  Smug anarchists!

 

Splatter Mural, Athens

 

 

Evil Empire, Anticapitalist Stencil, Athens

 

Mural, Athens

Love the fly stencils on this too… a mixture of techniques and styles.

 

Time Tag, Acropolis, Athens

‘Time’, ‘Hermes’ and the comedically named ‘Buns’ seemed to be some of the most prolific Athens taggers I noticed.   This low angled, flared style is great.

 

Homage to Pink?

Is this the work of the influential early 80’s American Graffiti artist and tagger lady pink?  Doubtful.  Cute though.

 

Jarvis

Finally, the last one of the many I shot is this mix of stencils, postering, free spray can work and appear (to me) to be a portrait of sardonic skinny sheffieldian social commontator, and genius Jarvis Cocker!?   I guess you spot what you’re looking for!??

 

Links and references:

A reliable wave forcasting resource for the Mediterrreanian:

http://www.poseidon.hcmr.gr/waves_forecast.php?area_id=med#selectParameter

Information about breaks and surf spots:

http://www.wannasurf.com/spot/Europe/Greece/Ionian_Sea/index.html

Greeces only surf school / surf hire:

http://www.pargaweb.com/new/surfeng.asp

Contact: Giorgos Papandreou giosurf@otenet.gr

Athens surf and extreme sports shop (I couldn’t even find this on the map cos of the variability of translation for place names… but here it is anyway, on the web).

http://surfingreece.piczo.com/?cr=5

Lady Pink:

http://www.pinksmith.com/

Jarvis Cocker:

http://www.jarviscocker.net/

http://www.myspace.com/jarvspace

The North Winds are blowing and have pretty well kept me indoors this weekend. 

Zoe and I went to see the Abram Games (1914-96) retrospective at the Burton Art Gallery, Bideford, yesterday.  Games was an important British Graphic Designer, reinventing the British poster whilst working for the war effort.  It’s striking stuff, iconic and bold.  He had an adroit method for creating visual puns, and was a highly skilled life artist.  Games collected thousands of photos through his career, as reference material, but prided himself in redrawing everything so as to convey exactly what he wanted. 

My favorite thing about Abe Games was that he insisted on complete control of his projects, would submit a single final image to the client.  He greeted criticism by suggesting they hire another person for the job!

Also showing was the Annual Open Christmas Exhibition, our favorite piece was ‘The People Factory’ by Jay Luttman-Johnson.

Tuck In (Rough)

Inspired and spurred on this is a sketch I started while hanging around Atlantic Village, avoiding crimbo shopping :-)  and finished with a few beers last night :-) 

It’s based on a picture from ‘The Surfers Path’ of Alan Stokes tucking into a wave down in west Cornwall.  I chose the picture because of the way the wave is enveloping the surfer, embedding him into the wave which lends itself to embedding a Zoomorph into a knot.  This morning I photographed the sketch and coloured it on the pooter. 

FYI I used the following steps:

1. Split colour channel (to eliminate most of the construction lines from the image)
2. Adjust Brightness and contrast
3. Some touching up
4. Make selections and save to Alpha Channels
5. Coloured with large semi opaque brush strokes
6. Blurred

I like the Graffiti style, the bands are chunky and angular.  Where I’ve made my selections crudely it looks like scratch graff through the paint.  I want to do more with this image… watch this space..

Bideford Burton Art Gallery: http://www.burtonartgallery.co.uk/

Abram Games: http://www.abramgames.com/

Jay Luttman-Johnson: No reb reference available… if know please comment so I can add

Please note my art is for sale, 10% goes to SAS, please view my gallery to see more celtic surf art for sale.

Knot within a Knot Coloured Sketch

 

I came across a site a few weeks back called colourlovers.com.

It’s a social networking site for Laurence Llewelyn-Bowen types.  The idea is you use its COPASO or basic colour tool, create a colour palette, publish it and share it with other artsy members of the community. 

It’s the kind of idea that if someone explained it to you as their “great idea” you might think their cheese was sliding off their cracker.  And yet it’s a great tool and quite fun. 

The last time I was on there someone published a palette:

Luton, England

Made me laugh and without stopping to think I wrote a comment

That’s hilarious, Lutons a hole!!

Turns out it was posted by a Polish bloke, he commented back on my wall:

Knowle is a small village on the road between Braunton and Ilfracombe

OK, bit of a strange comment maybe??  So I wrote back saying I meant no offence, he explained

Maybe Luton is a hole, but this English town is still important for me and many Poles - the airport is there!

Still a bit confused but all seems to be OK as now we’re ‘lovers’ (of each other palettes).  The Internet can be a strange place sometimes. 

Anyway, here is the Palette I designed yesterday:

Colour Lovers Palette

Colour Lovers Pallette ‘Night Surfing’

I chose the colours for this palette based on a photo by Al Mackinnon in and old copy of the Surfers Path (May/June 08).  The picture’s of Devon Surfer Chris Clarke taking off on a Scottish wave at sundown.

I’ve then taken these colours and used them to paint my sketchbook drawing of a knot within a knot; I designed the knot above a while back (more details in this blog entry: http://blog.newtangled.com/2008/11/sketchbook-knot-underwater-photo/)

The painting was done in Paint Shop Pro 6, and I used roughly the following steps:

1. Cut photo of sketch and rotate
2. Increase brightness and contrast
3. Make Grayscale
4. Further increase contrast
5. Make ‘16 Million’ colours again
6. Use ‘Magic Wand’ selector to select sections (adjusting RGB tolerance between 15-25 to help it select the sections I wanted)
7. Use a normal round brush and opacities between 75% and 100% (as I was aiming for a really strong bold look close to the palette I chose)
8. Paint is fast sweeping strokes
9. Apply a blur filter to smooth the hard edges resulting from using a high opacity paint.

Bobs your uncle… Its given the image a really bold look and bleed / masked effects similar to a silk screen print over gutta.  The painting has a really psychedelic look, and I suppose this relates to the art Nouveau look which has relations to the forms found in Celtic knots.  I think the sweeping air-brush type strokes have kept close with the graffiti street art style too.

 

Underwater wave photo with Celtic knot overlay

I’ve been playing about with paint-shop pro again and taking some of my old sketches and trying manipulate them and see what I can do.  Tonight I used a sketch I did a couple of years back when I was on a flight back from Vegas after a conference.   ’The fantastic 4′ movie was on (total rubbish), I couldn’t sleep and was properly hung over, the buffet champagne breakfast is a stupid idea.  Some fatty business guy had slipped off his shoes and bagged most of the row of seats.  I really wanted to sleep but couldn’t, so I drew a wave knot for most of the long flight home. 

The idea I had was to put a Celtic knot within a knot, I did the drawing in a little A5 notebook, so it’s a pretty tight space to work in.  

Knot in a knot sketchbook photo

1. I took my ‘3 simple curls design’ and drew it out with nice fat bands. 
2. I then divided these bands into 3 and marked dots at equal intervals along the 3 lines within the original knot.  This formed the grid for the inner knot. 
3. I applied a simple repeating unit to this grid to form a network within the knot.  I counted up the number of units to make sure it would be a single line.
4. I thickened the network of the inner knot and the outer lines of the ’super’ knot
5. I tried out interlacing but it wouldn’t work… why? 

By now it’s like 6am and I’ve been up for 20 hours of something stupid like that!

It didn’t work because the thickened lines forming the ’super’ knot edges are not a single or continuous entity entangled with the inner knot.  To the single knot it’s just like having random short lines crossing it’s network.  This means when you come to interlace the knot there’s not an equal number of overs and unders so you get interlacing errors.  Doh.  Oh well still looks pretty cool, I was still happy with the design, it looks complex and has a nice shape. 

I was thinking the inner knot could be painted like the foam that colours the face of a wave when a second wave breaks closer to the shore than the first.  Patterns within patterns kind of thing.

Anyway the paint shop work I did was as follows:

1. Photo the sketch
2. Adjust lightness and contrast
3. Airbrush out some shadows and unwanted pencil marks
4. Reduce to grey scale
5. Re adjust contrast
6. Paste as layer over a random picture I took from under a breaking wave (at Putsborough… AKA slush-borough)
7. Deformed the layer to make bigger
8. Set to about 50% opacity
9. Made the layer a ‘burn’ layer

I think it has a quite nice smokey effect… will probably try and make some other effects soon, it’s been fun using this old design… it took me away from a pretty rubbish flight I suppose that’s the beauty of pencil and paper over paint shop pro!!

Negative sketch of Teahupoo barrel view celtic knotwork

Here’s a sketch I’ve been working on over the last week or so, it’s inspired by a photo by Jon Frank of the monster wave at Teahupoo.  It’s taken from inside the giant tube Mick Fanning is racing away from.  It’s a pretty awesome shot, I love the way the wave is curling over and completely joins up with the spray from Fanning board.  I think the shot was taken up by Rip Curl or Billabong for an advert.

The knot in this sketch wasn’t really finalised, I didn’t resolve it to be continuouse or a single line, I really just wanted to try out a few different ideas the photo gave me. 

I’ve played with scale on the lines to give perspective and depth.  The sea heading off to the horizon I was playing with an arbitrary pattern when I made the network for the knot and then chose a rule for the crossing over points (which way the knot continued to lead or break).  The result looks quite computer generated, a bit like game graphics from the 80’s I think.  

I played about with the shot in paint shop pro adjusting the hue and saturation, lightness, contrast and then making the image negative.  The sketch original was done in coloured fine-liners.  You can see the steps I took in the sketch:

• Concept sketch
• Grid
• Network
• Line Fattening

Mick Fanning, Teahupoo, by Jon Frank

 I came across this photo in the Surfers Path Magazine, you can see more Jon Frank images here:

http://surferspath.com/photographer-folios/image_full/253/

Favorite quote from the artical:

“Most opportunities slip quickly away, but occasionally I will trap one in my little black box to keep.”

Best shot in the Folio is (in my humble opinion):

Silver Linings, Tahiti, by Jon Frank

It looks wild and stormy, I get the feeling the surfers alone in the elements.  It looks like a huge arena to be lost in!  Hmmm how much is a flight to Tahiti??  Still, I think this appeals because it invokes a feeling of what it’s like to be alone in a big stormy surf area, like a less than perfect but big ish day a Saunton, when there’s not many people out and you find yourself all alone. 

Like Tahiti, but cold, without the power and mushy.  Ok so not that much like Tahiti.

Two things at the moment:

1. My face is puffed up like Marlon Brando. I had a wisdom tooth removed.  I have some time off work!
2. I’m scouring the web for links to my blog and to socialise.  This is a source of inspiration.

I came across a blog by Droog79 (reference below), it inspired me create a piece of Japanese Surf Art in the unplanned street style:

Three Zoomorphic Curls Sketch 1. 

I used Pro markers and aimed for bold lines, high contrast and lots of detail.  The surfers are like Jelly Babies, like a pop cult reference.  The soap suds are a reference to Graffiti writing.

What prompted me to create this…

Droogs art: awesome! For the UK it reminded me of

• ‘Supermundane’ an artist/illustrator I’d seen under that name (anything but run-of-the-mill)
• as well as album art of Mr Scruff.
• Generally it reminded me of unplanned drawings of the Japanese Street Style:  A great example of being Nobumasa Takahashi:

Check this out, an entire wall painted by Takahashi San from ideas given to him as he worked (spot the surfer heading towards the mouth of a giant head)

http://www.pingmag.jp/images/title/nobumasa_drawing.jpg”>

Source: Nobumasa Takahashi pingmag.jp
http://pingmag.jp/2006/02/08/nobumasa-takahashi-draws/

There’s some great art out there, surfing the web is a great way to find grassroots artists and big names which can open up new ideas to you.  Cheers for the blog Droog79 (check it out at http://www.droog79.blogspot.com/)

Also see:

• Supermundane: http://www.supermundane.com/
• Mr Scruff: http://www.mrscruff.com/
• Florence Manlik:  http://manlik.blogspot.com/
• Akira Yamaguchi: http://search.japantimes.co.jp/print/features/arts2005/fa20050105a1.htm (if anyone knows an official website please let me know!!)

You can also see a timelapse movie of my sketch:

Now I’m off to eat some more chicken soup :-/

Spray Fan 1 (detail)

The image posted shows a detail of the surfer performing a hardcore cutback… this was inspired by a pic I saw in September 2008 Surfers Path Magazine of Dan Malloy riding a Bonzer, since reading that article I want to try one of those gizmo’s… a more efficient thruster!!  Dating back to the days before the thruster!!

I’n this design I’ve tried to capture the motion of the surfer showing the carved wave and spray fan almost as a vector field.  I’ve aimed for lots of motion and energy in the picture, throwing paint at the canvas and where possible using fast directional strokes of the pen and brush.

The colours I’ve chosen are hot and cold, high contrast and of a limited pallet.  I was aiming for a simple colour scheme to create a bold high impact image.  I wanted to create a design that was a perfect accent colour for a room, and a strong statement of speed and power.

The execution of the image is leaning towards a street art feel, blocks of colour, graf style curves, stencil work, tagging.

The Celtic work is freehand over a concept sketch framework.  It forms a single line and depicts a single human Zoomorphic surfer.  The following you tube is a rough cut of a time-lapse film I made of the final stages of the painting.  Other bits of the film (and eventually a edited and set to music version can be found on my videos page)

When I first launched my site someone asked me “what’s Algorithmic Art?  I’d like to click on that and hyperlink to a glossary”… well I don’t want to chuck someone out of my site and straight onto a wiki and a glossary is a bit dry to write… hence a blog!

OK, I’m going to talk briefly about maths, 1 paragraph, promise

An algorithm usually a mathematical expression referring to a sequence of steps to figure something out eg. working out the average (mean) of something…

1. add up all the data
2. divide by the number of data elements…

Now before I induce a coma, end of overly simple maths!

So it follows that algorithmic art is a sequence of steps to produce a piece of art.  Here’s a fundamental algorithm for drawing a Celtic tangle.

1. Create a grid
2. Join the dots on the grid to form a network
3. Check that no more than 2 line cross at any point
4. (optionally) check the knot is good, ie forms 1 line or has a long path with ‘no rings’ or short loops
5. Draw lines in parallel with the network lines (leaving gaps near the intersections)
6. Remove the network lines
7. Interlace the knot lines

Simple.  As each step is completed in turn the picture is revealed to the artist as much as the artist is creating it.

There are additional steps that can be applied to this process to create different designs… in time I’ll blog on these I’m sure!!

In the art world an Algorithmist (or algorithmic artist) is someone who creates art from a computer process often involving pseudo random variables (numbers generated by the computer which are very nearly random).  I would argue actually Algorithms are prevalent in art (and many human activities) … maybe it’s fair to say some other examples of Algorithms in art are:

• Photo stencilling: Take photo, cut stencils, choose colours, paint
• Wood carving: 2D design, mark outer edges of wood, cut in (along grain?), fine carving, sanding, varnish
• Impressionist painting: all strokes small and in same direction?
• Young British Artists:  think of outrageous idea, produce art, get response, if outrageous enough continue at step 2, else go-to step 1  (If Data off star trek was a Young British Artist ;-))

Perhaps these are techniques rather than algorithms???  To me an algorithm is a way of describing a mathematical technique to manipulate the world around us.  So why not describe art methods as Algorithms?